The film tells if turned into nightmares human sees in his dreams into reality through the story of a wife and mother (Hanan Turk) where you see in her dream murder and theft crimes and find materialize in fact to make them the focus of suspicion until you see a dream about the death of her only daughter.
He wrote Mr. Ahmed quality of the newspaper the Middle East about the film:
"After many years of traditional that seized the Egyptian film, which was limited for a long time in dramatic films, romance and comedy form, a group of directors decided in the form of a wave become concrete these days to change this form and bring new kinds of films of American cinema standards, this wave also affected the series, after It was received by the viewer severe aversion at the beginning of his appearance.
Movie focused more on action films and psychological thriller that was declared a new form, a horror film, the production of adventure and a four-star company led by the director in his first long work Dhenwa experience as "the first horror movie Egyptian", and if we disregard it is not already well due to previous efforts of Mohammed Cub and Mohamed Radi in this area, but it is the first film the new standards, which begins from the idea to the decors and sound effects, here we are not in a trial session for the film look as far as what it failed or in which film makers succeeded in that adventure.
In the beginning, the film is based on the consumer and very traditional idea, we saw every way possible and plots so that it became difficult to find again what an extraordinary story did not have, which did not happen. Mary (Hanan Turk) dreaming nightmares come true in reality when you wake up and treading if they are based to those offenses or is it a dream only, especially that of her dreams come true to a degree similar to what I dreamed of attention to detail, begin to doubt themselves and decide not to sleep, trying to her husband Ahmed (Khaled Saleh) and her friend Mai (Dalia Buhairi) help them to overcome the nightmares without interest, given the direct crimes of their relationship they raise doubts officer Imad (Fathi Abdel Wahab) who did not forgive her bequeathed to him in the past and her marriage to another, and so become governed by the department, especially with the sequences of events later, the real problem begins with severe clumping in the rhythm of the film, where there are scenes containing cadres and configurations beautiful but do not serve anything in the movie. There are many lines could have been dispensed with without affecting the events, we, for example, have not seen the benefit of Ahmed doctor universe or engineer and the fact that Mary loves drawing or not, introduced the fashion and its relationship with the friends of her husband consumed a long time, and strangest of all, the complex relationship between Imad Ahmed, Mary and did not serve the drama was tapped at the end of the film a big naively made the scene eventually already a laughing stock. The more the viewer Amlala scene in which he appears Majida al-Khatib where chattering complex terms and explains what one might haunt that was in a position of Mary, which is understandable and clear already but it seems that it was an attempt to make the situation dangerous. "
He wrote Mr. Ahmed quality of the newspaper the Middle East about the film:
"After many years of traditional that seized the Egyptian film, which was limited for a long time in dramatic films, romance and comedy form, a group of directors decided in the form of a wave become concrete these days to change this form and bring new kinds of films of American cinema standards, this wave also affected the series, after It was received by the viewer severe aversion at the beginning of his appearance.
Movie focused more on action films and psychological thriller that was declared a new form, a horror film, the production of adventure and a four-star company led by the director in his first long work Dhenwa experience as "the first horror movie Egyptian", and if we disregard it is not already well due to previous efforts of Mohammed Cub and Mohamed Radi in this area, but it is the first film the new standards, which begins from the idea to the decors and sound effects, here we are not in a trial session for the film look as far as what it failed or in which film makers succeeded in that adventure.
In the beginning, the film is based on the consumer and very traditional idea, we saw every way possible and plots so that it became difficult to find again what an extraordinary story did not have, which did not happen. Mary (Hanan Turk) dreaming nightmares come true in reality when you wake up and treading if they are based to those offenses or is it a dream only, especially that of her dreams come true to a degree similar to what I dreamed of attention to detail, begin to doubt themselves and decide not to sleep, trying to her husband Ahmed (Khaled Saleh) and her friend Mai (Dalia Buhairi) help them to overcome the nightmares without interest, given the direct crimes of their relationship they raise doubts officer Imad (Fathi Abdel Wahab) who did not forgive her bequeathed to him in the past and her marriage to another, and so become governed by the department, especially with the sequences of events later, the real problem begins with severe clumping in the rhythm of the film, where there are scenes containing cadres and configurations beautiful but do not serve anything in the movie. There are many lines could have been dispensed with without affecting the events, we, for example, have not seen the benefit of Ahmed doctor universe or engineer and the fact that Mary loves drawing or not, introduced the fashion and its relationship with the friends of her husband consumed a long time, and strangest of all, the complex relationship between Imad Ahmed, Mary and did not serve the drama was tapped at the end of the film a big naively made the scene eventually already a laughing stock. The more the viewer Amlala scene in which he appears Majida al-Khatib where chattering complex terms and explains what one might haunt that was in a position of Mary, which is understandable and clear already but it seems that it was an attempt to make the situation dangerous. "
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